Donato di Niccolo di Betto Bardi
(Donatello)

target="_blank">Sansovino frames got their name at the end of the 19th century after Jacopo Sansovino (1486-1570), the prominent Italian architect and Renaissance

The Renaissance is the period that began around the 14th century and ended at the late 16th century, traditionally associated primarily with the Italian region. The ideas and images of the Renaissance largely determined the aesthetic ideals of modern man, his sense of harmony, measure and beauty. Continua a leggere

sculptor, who created the most famous buildings in Venice. The characteristic details of these carved artworks are large fruit garlands, masks, scrolls and cherubs. Their design, made in the early Baroque

The baroque style replaced the Renaissance, and it sought to shock the soul, in contrast to the Renaissance art, which kept the distance between an artwork and the audience. It surely succeeded: the pictorial pearls of those times are the true treasures. Continua a leggere

style, fully reflects the influence of the characteristic architectural decisions of the late 16th century on the framing of paintings three centuries later. One of the most popular examples of a Sansovino frame

It has always been important for artists and art collectors how to frame their works of art. We can paraphrase Shakespeare and say,

“What’s in a frame? That which we call a picture
In an improper frame will look less nice.”

Or, perhaps, the picture’s message will be obscured by too ornate or too plain framing. Here, we present a retrospective journey into the history of framing and its evolution, with illustrations and an expert’s commentary. Continua a leggere

is the framing of the portrait of Girolamo Fracastoro by Titian in the London National Gallery.


A bright page in the picture frame

It has always been important for artists and art collectors how to frame their works of art. We can paraphrase Shakespeare and say,

“What’s in a frame? That which we call a picture
In an improper frame will look less nice.”

Or, perhaps, the picture’s message will be obscured by too ornate or too plain framing. Here, we present a retrospective journey into the history of framing and its evolution, with illustrations and an expert’s commentary. Continua a leggere

history is the works by Greenling Gibbons (1648 - 1721), one of the most famous English woodcarvers. The heyday of his work fell on the border of the 17th and 18th centuries: by 1680 Gibbons was already known as the Carver King and performed his work for St. Paul’s Cathedral, Windsor Castle and the house of Count Essex. The most exquisite frames came out of Gibbons' workshops to enframe the best examples of painting. This carver preferred to work with linden wood.

One of Gibbons’ most famous works is a carved frame

It has always been important for artists and art collectors how to frame their works of art. We can paraphrase Shakespeare and say,

“What’s in a frame? That which we call a picture
In an improper frame will look less nice.”

Or, perhaps, the picture’s message will be obscured by too ornate or too plain framing. Here, we present a retrospective journey into the history of framing and its evolution, with illustrations and an expert’s commentary. Continua a leggere

for the portrait of Elias Ashmole (1617–1692), an English antiquarian who was primarily a famous alchemist and astrologer. Ashmole’s portrait was painted by artist John Riley in 1683. It is believed that a year earlier Gibbons instructed Ashmole to compose a horoscope for him, and the luxurious frame

It has always been important for artists and art collectors how to frame their works of art. We can paraphrase Shakespeare and say,

“What’s in a frame? That which we call a picture
In an improper frame will look less nice.”

Or, perhaps, the picture’s message will be obscured by too ornate or too plain framing. Here, we present a retrospective journey into the history of framing and its evolution, with illustrations and an expert’s commentary. Continua a leggere

became his payment for the work.


The frame

It has always been important for artists and art collectors how to frame their works of art. We can paraphrase Shakespeare and say,

“What’s in a frame? That which we call a picture
In an improper frame will look less nice.”

Or, perhaps, the picture’s message will be obscured by too ornate or too plain framing. Here, we present a retrospective journey into the history of framing and its evolution, with illustrations and an expert’s commentary. Continua a leggere

makers showed surprising attention to the specific properties of each type of wood. Walnut was appreciated for its rich colour and structural integrity. Craftsmen preferred this wood for frames with small details, or if they wanted to show the exquisite structure of wood fibres. Linden was less expensive, but also suitable for fine carving. Cheaper and softer wood, such as pine and poplar, was used for less important parts of the frame

It has always been important for artists and art collectors how to frame their works of art. We can paraphrase Shakespeare and say,

“What’s in a frame? That which we call a picture
In an improper frame will look less nice.”

Or, perhaps, the picture’s message will be obscured by too ornate or too plain framing. Here, we present a retrospective journey into the history of framing and its evolution, with illustrations and an expert’s commentary. Continua a leggere

with simple carvings, or for frames that were gilded or painted.


Another brilliant English woodcarver, Englishman Thomas Chippendale (1718—1779), was famous not only for his furniture, but also for his “The Gentleman And Cabinet-Maker's Director” that he left to his descendants – a classic book with engravings made in his own workshop. As you already understood, this master, who worked in the mid-18th century, preferred to craft mahogany. Samples of the Chippendale frames from this catalogue were reproduced many times by craftsmen and are still popular with those who can afford a handmade carved frame

It has always been important for artists and art collectors how to frame their works of art. We can paraphrase Shakespeare and say,

“What’s in a frame? That which we call a picture
In an improper frame will look less nice.”

Or, perhaps, the picture’s message will be obscured by too ornate or too plain framing. Here, we present a retrospective journey into the history of framing and its evolution, with illustrations and an expert’s commentary. Continua a leggere

.

In the photo below: illustrations of picture frames sketch

A study is an exercise painting that helps the painter better understand the object he or she paints. It is simple and clear, like sample letters in a school student’s copybook. Rough and ready, not detailed, with every stroke being to the point, a study is a proven method of touching the world and making a catalogue of it. However, in art history, the status of the study is vague and open to interpretation. Despite its auxiliary role, a study is sometimes viewed as something far more significant than the finished piece. Then, within an impressive frame, it is placed on a museum wall.
So, when does a study remain a mere drill, and when can we call it an artwork in its own right, full of life and having artistic value? Continua a leggere

from the Thomas Chippendale’s “The Gentleman And Cabinet-Maker's Director”, edition 1762. Source of photo.





The carved gilded frame

It has always been important for artists and art collectors how to frame their works of art. We can paraphrase Shakespeare and say,

“What’s in a frame? That which we call a picture
In an improper frame will look less nice.”

Or, perhaps, the picture’s message will be obscured by too ornate or too plain framing. Here, we present a retrospective journey into the history of framing and its evolution, with illustrations and an expert’s commentary. Continua a leggere

for the mirror in Thomas Chippendale style. The mid-17th century. The frame

It has always been important for artists and art collectors how to frame their works of art. We can paraphrase Shakespeare and say,

“What’s in a frame? That which we call a picture
In an improper frame will look less nice.”

Or, perhaps, the picture’s message will be obscured by too ornate or too plain framing. Here, we present a retrospective journey into the history of framing and its evolution, with illustrations and an expert’s commentary. Continua a leggere

created by the carver and gilder Paul Petit, who supplied frames for Frederick, Prince of Wales, son of George II. Sold in 2013 at the Sotheby’s auction for 221 thousand dollars.

Over the century, the importance of frames and their decoration continued to grow. In France, the furniture maker Jean-François Oeben (1720—1763), succeeded by his son-in-law, Roger Vandercruse Lacroix, was the most famous in France in this period. These artisans worked with many types of wood – Oeben was known as a master of marquetry, as well as mechanics, which he used in the intricate designs of tables and bureaus. He made magnificent frames for paintings and large mirrors – this symbol of wealth and the upper class of the owner. Recall also that the famous Paris Salons began their work in April 1667. And in order to sell profitably, you have to file profitably! Oeben’s services — and not only his — were popular among dealers. In anticipation of the Salon, the work in the workshops was in full swing, and it happened that the frame

It has always been important for artists and art collectors how to frame their works of art. We can paraphrase Shakespeare and say,

“What’s in a frame? That which we call a picture
In an improper frame will look less nice.”

Or, perhaps, the picture’s message will be obscured by too ornate or too plain framing. Here, we present a retrospective journey into the history of framing and its evolution, with illustrations and an expert’s commentary. Continua a leggere

was worth more than the painting itself.


Venice was also famous for its craftsmen. According to the census of 1773, by the end of the 18th century, 98 carvers worked in 36 workshops, and another 33 workshops and 64 craftsmen specialized in gilding.




Carved Italian gilded wooden frame

It has always been important for artists and art collectors how to frame their works of art. We can paraphrase Shakespeare and say,

“What’s in a frame? That which we call a picture
In an improper frame will look less nice.”

Or, perhaps, the picture’s message will be obscured by too ornate or too plain framing. Here, we present a retrospective journey into the history of framing and its evolution, with illustrations and an expert’s commentary. Continua a leggere

. Venice. 92×70 cm. Ca. 1770. It was presented at the Sotheby’s auction in 2015 with an estimate of 30—50 thousand pounds. Source.

The cabinetmakers’ most popular material was walnut, or rather, the core of walnut trunk, the colour of which varies from grey to reddish-brown. Much depended on the place of growth of the tree. For example, Italian wood has a redder hue and a more complex structure. German craftsmen were very fond of the Caucasian walnut for its dark grey and black shades. French walnut was also very popular due to the peculiarities of its pattern and colours.


In 1990, the Metropolitan held an exhibition entitled The Italian Renaissance Frames, which was entirely devoted to picture frames. In the museum halls, the audience found themselves in a very unusual atmosphere: room by room, only empty frames looked at them from the walls. One of the visitors even raised the alarm: he considered that all the paintings had been stolen! Nevertheless, the exhibition allowed viewers to appreciate the framing of paintings as a separate work of art, which deserves great attention.



Most artists surely paid attention to the frames on their paintings at all times. Artists had to sell their art in an advantageous presentation, in an appropriate frame

It has always been important for artists and art collectors how to frame their works of art. We can paraphrase Shakespeare and say,

“What’s in a frame? That which we call a picture
In an improper frame will look less nice.”

Or, perhaps, the picture’s message will be obscured by too ornate or too plain framing. Here, we present a retrospective journey into the history of framing and its evolution, with illustrations and an expert’s commentary. Continua a leggere

, and some of them were so reverent about this moment that they designed frames for their paintings themselves. So, the Raphael's painting in the Hermitage collection is exhibited in a frame

It has always been important for artists and art collectors how to frame their works of art. We can paraphrase Shakespeare and say,

“What’s in a frame? That which we call a picture
In an improper frame will look less nice.”

Or, perhaps, the picture’s message will be obscured by too ornate or too plain framing. Here, we present a retrospective journey into the history of framing and its evolution, with illustrations and an expert’s commentary. Continua a leggere

made according to the drawing of the artist himself.


The famous battle painter Vasily Vereshchagin was known for taking part in the design of frames for his paintings. Most of his work is framed by very wide, gilded carved frames. Hanged nearby, his canvases merge into a single “golden iconostasis” with faces of the Hindus, Turkmens, Japanese, as well as representatives of the lower layers of the Russian Empire

Empire (fr. empire – imperial) is the style of the late classicism in architecture, applied art and painting. It was popular during the first three decades of the 19th century.
It is characterized by the craving for monumentality and greatness: so that it immediately becomes clear to everyone that the emperor’s power is almost limitless! The Empire style arose in France during the reign of Napoleon, later it was replaced by the eclectic art movements currents and then itfound its revival in ... the Soviet Union. Continua a leggere

society, which he portrayed.


“...The frame

It has always been important for artists and art collectors how to frame their works of art. We can paraphrase Shakespeare and say,

“What’s in a frame? That which we call a picture
In an improper frame will look less nice.”

Or, perhaps, the picture’s message will be obscured by too ornate or too plain framing. Here, we present a retrospective journey into the history of framing and its evolution, with illustrations and an expert’s commentary. Continua a leggere

must have a harmonious connection with the picture. Therefore, artists choose the frames for their works so carefully. The shapes and tone of the frames always depend on the shapes and tonality of the paintings. Everything that violates the frame

It has always been important for artists and art collectors how to frame their works of art. We can paraphrase Shakespeare and say,

“What’s in a frame? That which we call a picture
In an improper frame will look less nice.”

Or, perhaps, the picture’s message will be obscured by too ornate or too plain framing. Here, we present a retrospective journey into the history of framing and its evolution, with illustrations and an expert’s commentary. Continua a leggere

harmony, violates the picture harmony as well...”

Valentin Serov

If this happened with the artwork by Edgar Degas when Degas was still alive, he would have been very angry: according to the art dealer Ambroise Vollard, when Degas saw the collectors who bought his painting to “dress” it in a gilded frame

It has always been important for artists and art collectors how to frame their works of art. We can paraphrase Shakespeare and say,

“What’s in a frame? That which we call a picture
In an improper frame will look less nice.”

Or, perhaps, the picture’s message will be obscured by too ornate or too plain framing. Here, we present a retrospective journey into the history of framing and its evolution, with illustrations and an expert’s commentary. Continua a leggere

, he simply took it from the owners. He was so passionate about frames that he even created his own catalogue of mid-19th century frame

It has always been important for artists and art collectors how to frame their works of art. We can paraphrase Shakespeare and say,

“What’s in a frame? That which we call a picture
In an improper frame will look less nice.”

Or, perhaps, the picture’s message will be obscured by too ornate or too plain framing. Here, we present a retrospective journey into the history of framing and its evolution, with illustrations and an expert’s commentary. Continua a leggere

profiles. He not only studied frames, but also designed his own models, and left behind drawings of more than 40 original solutions for framing paintings. The artist took into account the direction of light and shadow cast by the frame

It has always been important for artists and art collectors how to frame their works of art. We can paraphrase Shakespeare and say,

“What’s in a frame? That which we call a picture
In an improper frame will look less nice.”

Or, perhaps, the picture’s message will be obscured by too ornate or too plain framing. Here, we present a retrospective journey into the history of framing and its evolution, with illustrations and an expert’s commentary. Continua a leggere

, considering the picture not as a plane, but as a single three-dimensional object. All Degas’s frames has no bends, carvings, or curved lines – the artist believed that frames should not affect the spatial perception of his work.


One of the leaders of the German secession, Franz von Stuck, is known not only for his sensual gloomy works, but also for the fact that he personally made original frames for them.

Whereas the “father of Art Nouveau” and the Austrian secession Gustav Klimt has his paintings “dressed” by his brother, artist and jeweller Georg Klimt. The idea of consonance of the picture and frame

It has always been important for artists and art collectors how to frame their works of art. We can paraphrase Shakespeare and say,

“What’s in a frame? That which we call a picture
In an improper frame will look less nice.”

Or, perhaps, the picture’s message will be obscured by too ornate or too plain framing. Here, we present a retrospective journey into the history of framing and its evolution, with illustrations and an expert’s commentary. Continua a leggere

was drawn from the Pre-Raphaelites

The Pre-Raphaelites were the first European avant-garde artists who protested against еру wigs and powder of the classical portraiture school; they praised naturalness, romantics, and Shakespearean beauty.


Continua a leggere

. Surprisingly, Gustav Klimt created his early works (The Naked Truth, Athena Pallas) under the influence of the frames that his brother Georg brought to his workshop: the artist came up with a plot in tune with the frame

It has always been important for artists and art collectors how to frame their works of art. We can paraphrase Shakespeare and say,

“What’s in a frame? That which we call a picture
In an improper frame will look less nice.”

Or, perhaps, the picture’s message will be obscured by too ornate or too plain framing. Here, we present a retrospective journey into the history of framing and its evolution, with illustrations and an expert’s commentary. Continua a leggere

and embodied it on canvas.



After we recalled Klimt’s frames, we must mention the Pre-Raphaelites

The Pre-Raphaelites were the first European avant-garde artists who protested against еру wigs and powder of the classical portraiture school; they praised naturalness, romantics, and Shakespearean beauty.


Continua a leggere

, who connected the viewer and the picture through a frame

It has always been important for artists and art collectors how to frame their works of art. We can paraphrase Shakespeare and say,

“What’s in a frame? That which we call a picture
In an improper frame will look less nice.”

Or, perhaps, the picture’s message will be obscured by too ornate or too plain framing. Here, we present a retrospective journey into the history of framing and its evolution, with illustrations and an expert’s commentary. Continua a leggere

in tune with the plot of the artwork. So, the symbol of virginity – lilies – in the Charles Collins’ painting Convent Thoughts is repeated in the frame

It has always been important for artists and art collectors how to frame their works of art. We can paraphrase Shakespeare and say,

“What’s in a frame? That which we call a picture
In an improper frame will look less nice.”

Or, perhaps, the picture’s message will be obscured by too ornate or too plain framing. Here, we present a retrospective journey into the history of framing and its evolution, with illustrations and an expert’s commentary. Continua a leggere

pattern created especially for this canvas. William Holman Hunt had a symbolic pattern of marigolds (regret) and bells (warning), in the centre – a star as a symbol of redemption on the frame

It has always been important for artists and art collectors how to frame their works of art. We can paraphrase Shakespeare and say,

“What’s in a frame? That which we call a picture
In an improper frame will look less nice.”

Or, perhaps, the picture’s message will be obscured by too ornate or too plain framing. Here, we present a retrospective journey into the history of framing and its evolution, with illustrations and an expert’s commentary. Continua a leggere

of his picture The Awakening Conscience.


Englishman Howard Hodgkin (1932—2017), an abstractionist and an outstanding colorist of his generation demonstrates the modern interpretation of the unity of frame

It has always been important for artists and art collectors how to frame their works of art. We can paraphrase Shakespeare and say,

“What’s in a frame? That which we call a picture
In an improper frame will look less nice.”

Or, perhaps, the picture’s message will be obscured by too ornate or too plain framing. Here, we present a retrospective journey into the history of framing and its evolution, with illustrations and an expert’s commentary. Continua a leggere

and picture.



However, the most famous frame

It has always been important for artists and art collectors how to frame their works of art. We can paraphrase Shakespeare and say,

“What’s in a frame? That which we call a picture
In an improper frame will look less nice.”

Or, perhaps, the picture’s message will be obscured by too ornate or too plain framing. Here, we present a retrospective journey into the history of framing and its evolution, with illustrations and an expert’s commentary. Continua a leggere

of our time is that of the Banksy’s Girl with Balloon. The elusive artist built a shredder mechanism with remote control in it. The performance arranged with this frame

It has always been important for artists and art collectors how to frame their works of art. We can paraphrase Shakespeare and say,

“What’s in a frame? That which we call a picture
In an improper frame will look less nice.”

Or, perhaps, the picture’s message will be obscured by too ornate or too plain framing. Here, we present a retrospective journey into the history of framing and its evolution, with illustrations and an expert’s commentary. Continua a leggere

took place on 6 October 2018 at the Sotheby’s auction. After the painting was sold at the auction for almost a million pounds, someone – perhaps even Banksy himself – activated the shredder hidden inside the deep frame

It has always been important for artists and art collectors how to frame their works of art. We can paraphrase Shakespeare and say,

“What’s in a frame? That which we call a picture
In an improper frame will look less nice.”

Or, perhaps, the picture’s message will be obscured by too ornate or too plain framing. Here, we present a retrospective journey into the history of framing and its evolution, with illustrations and an expert’s commentary. Continua a leggere

. The mechanism began to cut the picture into strips, which caused a real shock among the auction participants.

However, something went wrong: the Girl with Balloon was only half destroyed, and the mechanism stuck. The new owner kept his wits: the picture immediately received a new name – now it is Love is in the Bin and its cost doubled! Below is the video shot by Banksy and his representatives, which shows all the stages of creating the famous shredder frame

It has always been important for artists and art collectors how to frame their works of art. We can paraphrase Shakespeare and say,

“What’s in a frame? That which we call a picture
In an improper frame will look less nice.”

Or, perhaps, the picture’s message will be obscured by too ornate or too plain framing. Here, we present a retrospective journey into the history of framing and its evolution, with illustrations and an expert’s commentary. Continua a leggere

and, in fact, the shocking story of the birth of a new, albeit half-rugged, work of modern art.

Being wonderful works of art by cabinet-makers and artists themselves, picture frames are designed to enhance the artistic merit of the picture and create the viewer’s impression from its contemplation. Partly furniture, partly a sculptural work, a well-chosen frame

It has always been important for artists and art collectors how to frame their works of art. We can paraphrase Shakespeare and say,

“What’s in a frame? That which we call a picture
In an improper frame will look less nice.”

Or, perhaps, the picture’s message will be obscured by too ornate or too plain framing. Here, we present a retrospective journey into the history of framing and its evolution, with illustrations and an expert’s commentary. Continua a leggere

always draws attention to the composition, colours and structure of the picture, enhancing the overall impression and acting as a portal leading the viewer to the world of the artwork.



Main illustration: Franz von Stuck, collage

Collage (fr. collage — “gluing”) is a method used in the fine arts to create an appliqué of various fragments, different in colour and texture. This term also denotes the work performed in this technique. It was first introduced into the visual arts by the futurists and cubists, in particular, Pablo Picasso and Georges Braque. They combined scraps of fabric, photographs and wallpaper on canvases. Famous collage makers include film director Sergei Parajanov, who combined photographs, lace scraps, porcelain and dried plants.
They often try to diversify the decorating technique with pictorial tools: a brush with paint or a pen with ink. The creative genre is notable for its variegation and bold ideas. A related technique is assemblage, which involves combining various objects and their parts on a surface. Photo collages are very popular today. Continua a leggere

(from left to right): Portrait of Frau Feez, Fighting Amazon, Lady in Red.