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Hugo
Matveyevich Manizer

Russia 
born in 1927
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(b. June 17, 1927, Leningrad) — Russian artist (painter, graphic), Honored artist of the RSFSR (1981), Professor of the Department of drawing of the Surikov Institute[1][2], a member of the Moscow Union of artists, member of International Art Fund. PhD.

The son of the sculptor Matvey Manizer and Elena Alexandrovna Yanson-Manizer, the grandson of the painter and teacher Genrikh Matveyevich Manizer.

The honored worker of arts of Russia,

Professor, member of the Moscow Union of artists, member of International Art Fund.

Born in 1927 in Leningrad into a family of famous sculptors - academician Matvei Genrikhovich Manizer and Elena Alexandrovna Yanson-Manizer, is the third generation of a dynasty of artists, which was founded by his grandfather-a painter and teacher Genrikh Matveyevich Manizer.

Landscape is always a bit of a traveler and Explorer. In a series of

cities, continents, Islands, deserts, lakes and oceans, he finds

alive, nemodulirovannyj and devoid of the Director's vision natural

the beauty of nature. His eyes nicked over the centuries cobblestone pavement becomes

precious diamond, and dried sea winds gnarled tree branches

filled with grace and elegance. Hiding the late afternoon haze beach

Indian ocean, the dome, melting in the midday Inferno Asia: a scattering

bright colors in the caressing cradle of the subtropics or the morning snow

the foothills of the Pamir...

Gugo Manizer is a landscape painter inspired and sincere. His realism

(surprisingly, in the world of modern conventional art someone else writes

realistic landscapes), shadowy and almost unreal, filled with

literalness is not the details, and moods and emotions. His work, whether

exotic images of distant countries or lyrical images of Russian nature,

full of bright and clear sense of beauty. Devoid of any pathos,

underlined symbolism and deliberate showiness, they like open window

before the eyes of the one who looks at them. Window in such ordinary and such

wonderful world, which he saw in his numerous

travel. Like don Quixote, lifting up to heaven his

The beautiful Lady, he became a knight of the exquisite, incomparable

the beauty of the universe, but praised it not with spears and sword, and with

paints and canvas - the only weapon of artists.

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