Petr
Vasilyevich Svintsov

Academician-sculptor during the reign of Nicholas I. he was Educated at the Academy of fine Arts. In 1808, received a silver medal for sculpting from life, in 1809 received a second silver medal in 1810, being in a medal class, and received a silver medal. In the same year the gold medal he set the following theme: "imagine going to the Kazan Tsar Ivan Vasilyevich, where Russian troops on the waterless steppes, exhausted by thirst and heat, undergo a terrible disaster. Two warriors, finding water, brought the judges to their helmets to the king; but John gives her the most weary warrior and he burn him." For the execution of this theme lead has received the gold medal of the 2nd degree. In 1812 he graduated from the Academy with diploma of the 1st degree and in the same year received a gold medal. In 1817, left at the Academy "medallion art". In 1818, determined by the medallist to the mint. Svintsov produced sculptural works in the construction of the model of St. Isaac's Cathedral (1820-1821.). In 1827 he petitioned the Minister of National Education that it was forbidden to sculpt "rebar, shapes, masks, heads, capitals, festoons, medallions, rosettes, etc." — people, not ending the Academy of fine Arts, and to the Commission caused the state-owned news for the production of stucco works. Academy of Arts, having received this petition from the Minister of Education, reviewed it and refused Svintsova in his request, finding it to be unfair and harmful to the development of arts in our country. Apparently, the lead was not particularly important sculptor. For example, he made for the Winter Palace several figures, of which the Emperor expressed that they are "so bad have been made that not only do not deserve any fee, but even it was a shame to him (Svintsovo) and submit them". In 1844 Svintsov worked for St. Isaac's Cathedral and the Imperial Museum (Hermitage). Emblematic of a plane figure with ornaments, miscellaneous ornaments and all the medal work is Leaden valued and received approval, and statues for the most part differ in different disadvantages, so the Bavarian architect von Klenz who examined them (they were tucked in his drawings) and found them worthless. Nonetheless, Svintsov fashioned several statues for St. Isaac's Cathedral and Hermitage Museum, such as Glory (1846) and Rembrandt (1847). Died lead apparently in the late 40-ies. (Archive of the Academy of fine Arts).

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