http://smitelman.ru/
Among the largest shows: the exhibitions of the International Federation in the Manezh, the Association “Ecology” and “In Memory of the Victims of Stalinism” in the Central House of Artists on Krymsky Val, the II International Biennale - the exhibition “Eros”, “Golden Brush” - 1997, 1998, 1999 Manege, CHA.
Personal exhibitions:
1990 January - Exhibition Hall in Kuntsevo,
1990 - exhibition in the city of Gdansk “Decline of the idea”,
1992 - gallery "Inter-Mars"
1994 September-October - Union Gallery,
1995 March-April - gallery Ostozhenka,
1995 August - Central House of Artists,
1998 July-August - CHA,
2000 January - Gallery Ramenki
March 2000 - Taganka Exhibition Hall,
2001 September - CHA,
2001 - Exhibition in Barcelona.
2009 Exhibition Hall "Creativity". Moscow.
The artist's works are in galleries and private collections in about 30 countries of the world, as well as in the State Central Museum of Contemporary History of Russia (6 works), in the Mayakovsky Museum in Moscow, in the Museum of Aleksandrov.
Independent creativity began to engage in the early seventies. Took part in non-conformist apartment exhibitions, exhibitions in 1974 in the Izmailovo Park and in Belyaevo (the so-called bulldozer exhibition). In 1979, he joined the Joint Committee of Graphic Artists, which was later transformed into the International Federation of Artists of UNESCO and has since regularly participated in the artistic life of this organization. According to his frame of mind, he was close to the Moscow underground, although he did not belong to any creative groups. The first screening of the works (slide film) took place in 1985 at the WTO House of Art in Shchelykov. In 1986, the first solo exhibition was held with great success in Malaya Gruzinskaya, 28. In the following years, he held more than thirty solo exhibitions, participated in international salons in Moscow and Barcelona, at painting auctions in Gdansk, London and New York. At the invitation of the western art firm made a trip to Holland.
In his painting did not adhere to any given aesthetic program, although each work has its own concept. However, there is a cycle of non-program works, improvisations. The problem of style was not central to the work of the artist.
Among the largest shows: the exhibitions of the International Federation in the Manezh, the Association “Ecology” and “In Memory of the Victims of Stalinism” in the Central House of Artists on Krymsky Val, the II International Biennale - the exhibition “Eros”, “Golden Brush” - 1997, 1998, 1999 Manege, CHA.
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