"THE NEVERENDING STORY" MR ANSELM

A new exhibition of Vladimir anzelma, artist mastering two cultural-historical space of Russia and Germany in the technique of large-format painting is a landmark of European art from Classicism samples. It is the Classicism is the semantic dominant of the exhibition, and reveals the archetypal and indispensable companion of overcoming global catastrophes, wars and revolutions, as the antithesis of chaos. The author, in the paradigm of postmodern quotation appeals to the examples of European classics of the beginning of XIX century - "the Marseillaise" Ruud, idealizing the French revolution, "Victoria" Serena, telling of the emergence of Prussia and the anthology of Soviet classicism Shadr, Mukhina, Golubkina.

 

Mr Anselm allocates constant "gen" style, expressed in the search and identification of sample-reference, sample-ideal. It is the art of classical Greece was once perceived by Rome, I interpret formative principles and intonation of the art of Hellas. In turn, Rome has absorbed what helped to identify themselves as something new, a new piece of art idealizing the foundations of raising and defining the goal. The genotype of Classicism, in spite of the local nuances unchanged and defined as the neverending story, realizing in a single form and procedure for the myriads of particles of chaos and destruction.