Artsmarts
Ilya Repin crucifying the Decadents, or Unknown secrets of various insolent daubs
The turning point from classical to modern in Russian art took place in long-forgotten past that is covered with fluffy archival dust. But at the turn of the 19th and 20th centuries, this was the most acute confrontation with ad hominem attacks.
The miriskusniki destroyed reputations and overthrew the former idols from their pedestals. Outraged by such barbarism, Repin defended “those thrown…