Lukomorye

Lukomorye is not only the fairytale land from the prologue to Pushkin's Ruslan and Lyudmila. On Western European maps of the 16th-18th centuries, Lukomorye was a place in Siberia on the right bank of the Ob River. But even earlier in the Old Russian chronicles so named the place where the Kipchaks lived somewhere in the lower reaches of the Dnieper, and the Kipchaks themselves were called Lukomorets. In "Zadonschina" Lukomorye is named the place where the army of the Golden Horde retreated after the defeat in the Battle of Kulikovo, however, without any geographical details.
The first version of Pushkin's poem "Ruslan and Lyudmila" immediately began with a description of the wedding of the main characters. The famous prologue, "The green oak by the bow-moor..." Pushkin wrote it for the second edition of the poem, published eight years after the first edition.
I will not give the full text of the prologue - those who studied at school should remember it well.
About green I do not know, but it is obvious that the Oak is something like the Tree of Worlds and if Bayer, Miller and Schlötzer (authors of the Norman theory of the origin of Russian statehood) read Ruslan and Lyudmila, they would certainly call it Yggdrasil.
The oak tree is imbued with cosmos - you can see it in its leaves, star-spiral, cosmic. What's cosmos in greek? Order, harmony.

Across the forests, across the seas, a sorcerer carries a rich man. My sorcerer is as skinny as Voldemort and as snide as Igor Vernik. God bless them both.

There the queen captivates the fearsome king in passing. The queen is fattened and handsome. The king is old - you can see that he was passing the treasury normally. How to portray captivity I do not know, so I have itchy time.

A mermaid in the branches is a slightly censored mermaid.
In general, what is there in the source at the mermaids on the exterior, as they say zoomers, and what Alexander Sergeyevich meant when he wrote that she sits on the branches - it is unclear. Apparently, all the same, not quite a sea mermaid - otherwise he could easily send a mermaid to speak out of the waters, and on the branches to sit thirty beautiful knights. but about the knights - in the next parts. mermaid, in general!

Well, the cat-scientist on the chain - to the left of the tale says - here it was unclear what left it was about, so - a whim of the artist. And Pushkin himself - in the form of a big Easter egg. And in the form of a small one - next to the mermaid.
The tsarevna is in the dungeon, and the brown wolf is faithfully serving her.
my dungeon is pretty light. It's even well heated, judging by the smoke from the chimney.
Across the forests, across the seas, the sorcerer is carrying a bogatyr - the sorcerer was already there, now here is a bogatyr - with a sword, a shield, and scarves in apples!
The hut there on hedgehog legs stands without windows without doors - here I was a bit etsamoe - and drew a window at once. I had to cover it with log ends, having previously covered the gaps with black darkness. So that I wouldn't get in trouble.
And paths with tracks of unseen beasts, and just these beasts themselves. I don't have much imagination, so the main unseen beast is a bored pig in the color of a calfskin.
King Koshchey is withering over the gold. Well, what can I say - he withers and withers. This is not polyinterpretable, i.e. understandable.
Oh, the brown wolf serves the princess faithfully. Auf! And the stupa with Baba Yaga, who wanders by herself. That's why Baba Yaga is a bit confused...
The stupa with Baba Yaga walks by herself. Feet like Dr. Octavius. Breasts like Charlie's Angels and Vicky's secrets. Hands as clingy and greedy as Savonarola's. A headscarf as handsome as the bespectacled guy from Disco Accident. The faithfully serving wolf in the photographer's off-load was in the previous installment.
Let's go 30 bogatyrs - and Pushkin somehow did not write by name, but I will help him:
The top row is Gostomysl (the one who seems to be listening to the chorus of Bittersweet Syphony), the native son of the deputy prince Svyatoslav Igorevich Volk - Dog - is yelling madly. The one who curves his lips - Dobrozhir. Slightly balding - Nikolay. With hatched eyes - Vorebard. The one who looks enthusiastically at Chernoluzh. A little lower and with eyes in different directions - Chernoprud. Then disgruntled, with a wart on his nose - Semyon. With a bun and a herring - Brunslav. With a spear, incredibly hairy - Nikitka self-portrait. Above him with big Armenian eyes - Popshekak. With an axe on his shoulders - Iskisyul. Sitting on Seryozha. Below Seryozha - Semyon (the second Semyon and Pravdopup - with a barrel of braga). In the middle with a duck on his helmet - Chernorek. To his right is the echidic black-moustached Selebird. On the left is Iconostasis (with a gnomish axe).
Underneath lies, of course, Chernomor.
To the left of the Iconostasis - Putyata (probably a Gypsy. by appearance - a typical relative of Melkiades). To the left of Putyata - Olberd (son of Olgerd, a member of Svyatoslav Igorevich's retinue - the one who walked in the solar system). To the left of Olberd - the spy Epraxes, infiltrating the Catholics as a priest. Below him is Kaliy, the young son of Kalistrat, a scout of Svyatoslav Igorevich. To Kaliy's left is Dubynya, with secretly cocked hair. And to his left is Ilyusha, the one from Svyatoslav's retinue.