(R. 5.4.1924, D. Krivousova Ivanovo region), people's artist of the USSR (1982) and the RSFSR (1974), the honoured. hood. Of the RSFSR (1965), honored. deyat. arts of BASSR (1965). Member of the Union of artists of the USSR since 1954. In 1950 he graduated from Ufim. theatre.-hood. Uch-school (PED. P. M. Lebedev and A. E. Tyulkin). Works in the genre of landscape. GL. the theme of production. - Russia, the nature of the Urals. T-vo D. is sonorous and colorful paintings that reflect a harmonious and sublimely emotional attitude of the artist. "Winter on the edge" (1956. Tretyakov Gal.) the first means. proizv. D., opened the topic of the provincial mountains. margin.
Lyric. the beginning determines emotion. structure of paintings "May. Bereznyak" (1960, Art Museum (HM) to them. M. V. Nesterova), "April Bereznyak" (1962, HMM, Sevastopol), and others In the context. 60s interest D. to pam. drevnerus. architecture was manifested in a series of works on the Novgorod and Pskov: "Novgorod" (1968, Bryanskaya oblast Museum of modern. Fig. art), "Pskov. The Trinity Cathedral" (1968, UM im. M. V. Nesterova), "Pskov" (1970, Perm hood. gallery). From the middle. 70s t-ve D. for the first time sounded the theme of red square: "red square" (1975-77, Perm hood. gallery), "View in Red square" (1975, UM im. M. V. Nesterova), etc. of the Ural nature, picturesque places of Bashkortostan, Ufa, street of throughout t-VA to attract the artist: "August. Ufa" (1968), "Kara-Idel" (1968-69, both in the Min-ve culture of the Russian Federation), "Silence" (1990, UM im.M.In.Nesterov), etc. D. Work exhibited abroad, purchased Patriotic. and Zaruba. museums. The Winner Of The Intern. competition in the world. the festival of youth and students (1957, Moscow). Awarded Rep. Ave. them. Salavat Yulaev (1977). Awarded hordes. "Badge Of Honor" (1967).
Vol.: "Moscow. Red square" //the Artist, 1962, No. 5; problems of the modern landscape //the Artist, 1976, No. 3.
Lit.: Golovanov N. N. B. Domashnikov. L., 1965; B. F. Domashnikov: Painting: Catalogue. Ed. introd. art. and comp. V. M. Sorokin. Ufa, 1995.
(the author - I. N. Oskina)
(1924, village Krivousova, Luh district, Ivanovo region.)
In 1950 he graduated from the Bashkir theatre and art school. He studied with P. M. Lebedev and A. E. tyulkina. Diploma work were the sketches of scenery to the Opera N.. Rimsky-Korsakov "The Snow Maiden" (1950). Scenographic experience was actively used by the artist, especially in the second half of the 1950s in the period of transition from the lyrical landscape sketches where easily read the influence of such classics of Russian painting, as I. Levitan, M. V. Nesterov, V. K. Byalynitsky-Birula, etc., complete and original panoramic paintings that resemble decorative cameos. In the compositions "BLUE APRIL" (1955), "BAIKAL. GREY DAY" (1959), "STATION" (1959), "BACK the BIRCH" (1960), "MORNING IN the URALS" (1962), etc. - the author takes the viewer into the festive realm of spectacles. The space resolved with the help of the traditions of theatrical-decorative art. Not just in composition, but the color system paintings Domashnikov becoming increasingly decorative conventionality, due to which many of his works are like from tapestry, carpet creations, which is completely dominated by extremely flattened image of the first plan ("MEMORY", 1973; "the WHITE SPRING", 1969; "ASPEN", 1971; "the BIRCHES", 1978-1985). Even purely custom, thematic compositions on the traditional social realism of the stories as "APRIL 22. To LENIN" (1975-1977), "MAYDAY" (1984), "VICTORY DAY" (1985), the inherent limit to the decorative image. The artist likes to write architecture - "SOFIA in WINTER", 1958; "IN RUSSIA. NOVGOROD", 1968; "PSKOV", 1972, "ROME", 1970; "CANAL IN VENICE", 1970. It is not focused solely on the usual subjects of rural life, not fetishizmom Islands of antiquity. And the old village and the city you live in his paintings of modern life ("the AWAKENING", 1982; "MARCH IN UFA", 1983). Characteristic of the art of the masters the theme of joy of life, her inexhaustible sense of beauty, and inspired enthusiasm for the expressive properties of the art materials and is distinguished by its extremely colorful still lifes ("the MAQUIS", 1967-1972; "CARNATION", 1972; "LILAC", 1968-1974), which is a feast for the eyes, soul and heart.
Work Domashnikov stored in the state Tretyakov gallery, state Russian Museum, in many Museum and private collections of Russia and other countries.
Domashnikov — member of the Russian Academy of arts, people's artist of USSR, laureate of the State prize of the Bashkir ASSR them. Salavat Yulaev.
