Are academists just a kind of art conventionalists, or is it still a special philosophy? How did they cope with the choice of “mind or feelings”? Why was the Paris Salon so important for artists, what were the Impressionists rebelling against, and where,
Are academists just a kind of art conventionalists, or is it still a special philosophy? How did they cope with the choice of “mind or feelings”? Why was the Paris Salon so important for artists, what were the Impressionists rebelling against, and where,
