A green apple, a man in a strict coat and bowler hat, a smoking pipe — these are the first associations that arise about the Belgian surrealist René Magritte. However, neither The Son of Man (1964), nor The Treachery of Images (1929), being the record hol
A green apple, a man in a strict coat and bowler hat, a smoking pipe — these are the first associations that arise about the Belgian surrealist René Magritte. However, neither The Son of Man (1964), nor The Treachery of Images (1929), being the record hol