Mikhail
Mikhailovich Soloviev

Russia • 1905−1991

1905 was Born in Moscow.

1930 Graduated from the Higher courses of the Association of artists of the revolution (AHR). He studied under I. I. Mashkov, p. P. Sokolov-Skal.

1930-1941 Works as a painter.

1935-1938 Together with P. P. Sokolov-Skal is working on the diorama.

1941-1945 Cooperates in the "Windows TASS".

1944-1980-e One of the most active masters of socio-political poster on the issues of the internal life of the country, ordinary workers of the cities and villages. Collaborating in publishing "Izogiz", "Soviet artist", "art", "Poster".

Constantly working in the workshop "Agitplakat".

1960-1980 Member of the editorial Board.

1970 Directs the section poster of the Moscow Union of artists. Honored artist of the RSFSR.

1990 Died in Moscow.

The poster. Member of the Union of artists of the USSR. Honored artist of the RSFSR. Born in 1905 in Moscow. Graduated from the Higher courses AChRs (Association of artists of the revolution) (1930). He studied under I. I. Mashkov, p. P. Sokolov-Skal. He began his artistic career as a painter. During the war actively collaborated in the "Windows TASS". Since the postwar years in the political poster.

His posters were produced consistently in Izogiz, the publishers of "Fine art", "Poster". Collaborates in "Agitplakat". The participant of Republican, all-Union, foreign art exhibitions. Member of USSR Union of artists since 1933.

Major works: "Glory to defenders of Moscow!" (1944), "Good work — bread born!" (1949), "will Not be late even for a minute, don't lose any of the ear!" (1955), "the Machine finished the job — show about her care!" (1958), "world peace!" (1960), "be Proud, Soviet person..." (1962), "party" (1963), "glory to the Soviet Army!" (1966), "On guard for peace" (1972), "Peace, detente, cooperation" (1975), "Protection of the socialist Fatherland" (1977), "the Motherland's reliable armour" (1977), "Keep the peace of his native country" (1978), "can be heard everywhere the voice of the wise books" (1978).

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