The first believed professional art dealer, the famous art patron Paul Durand-Ruel saw his mission in supporting and developing real art, and, importantly, educating the audience. Between 1871 and 1922, Paul Durand-Ruel acquired about 12,000 Impressionist works, including more than 1000 works by Monet, 1500 works by Renoir, 800 works by Pissarro, 400 works by Degas, Cassatt and Sisley, and about 200 arworks by Manet.

In 2008, Tiepolo's name was the talk of the art world: a picture of the great master was found in the attic of a French estate! Shy grandparents of the current owners prudently hid the luxurious topless lady depicted on the canvas. Thus they perfectly preserved the picture! It is believed that it was ordered by the Russian Empress Elizabeth to decorate the Winter Palace, as there are similar images of the series there. The canvas was called "Portrait of a Lady as Flora" and soon sold at Christie's auction for 4,227,780 dollars, almost three times "overlapping" the considerable estimate.

One of the most revered Dutch painters of the seventeenth century Gerrit Dou is renowned for his small and yet incredibly meticulous and skilful works. His paintings are distinguished by a smooth, as if enamelled, surface, which was typical of the 'fijnschilders' ('fine painters') school. The amount of time the artist spent on the most minute details in his paintings can be illustrated be this legend: when Dou was complimented on his extreme patience in painting a broomstick which was hardly larger than a fingernail, the artist responded that he would require at least three more days to complete it.

In the White House, they always treated painting with piety. So, during the war of 1812, Dolly Madison saved the portrait of George Washington by Gilbert Stewart. Jacqueline Kennedy borrowed eight paintings by Cézanne from the permanent collection of one of the museums. Hillary Clinton withstood the abstract painting “Mountain at Bear Lake—Taos” by Georgia O'Keefe, while critics assured that the work will break the restrained elegance of the Green Room, created by the paintings of the XIX century. Laura Bush convinced the committee that oversees the art collection of the White House to accept the painting by her contemporary Andrew Wyeth as a gift, although it contradicted the rules: before getting to the White House, the painting must be aged for at least 25 years. Therefore, the collection of the residence contains the minimum number of works of living artists.

Apples are the landmark object in the Cézanne’s work. And the friendship of Paul Cézanne and Emil Zola began precisely with apples - the future writer, grateful for Paul’s intercession gave the future artist a whole basket of apples.
"He, Zola, was interested in absolutely nothing. He dreamed. He was absolutely unsociable, a kind of a melancholic destitute. You know, the kind of people guys usually hate. Without any reason, they bullied him. And this was the beginning of our friendship. The whole school, big guys and kids, gave me some kind of a swagger because I did not participate in their ostracism. I didn’t care about them, I came up and talked with him as usual. A nice friend. The next day he brought me a basket of apples. Here they are, Cézanne's apples!"

Arkhip Kuindzhi adored birds. He considered himself a “birds' chosen one”, said that the birds understood his speech and let him pet them. Usually laconic Arkhip Kuindzhi became extremely talkative when it came to birds. He spent hours sitting on the roof of his house, "talking" with pigeons and crows. Every month he bought 60 French buns, up to 10 kg of meat and 6 sacks of oats to feed his feathered friends. Once the illustrator Pavel Scherbov published a caricature depicting Kuindzhi giving an enema to a bird. They say that Arkhip Kuindzhi, deprived of sense of humour, got terribly offended.

An unstudious student, Claude painted the covers of notebooks and drew cartoons of teachers. The latter were so good that by the age of 15 he was famous in his native Le Havre as a skillful caricaturist. They asked him to draw caricature portraits, and he did, this time for money: 20 francs! Soon the amusing drawings by Claude Monet were displayed in the window of the only art supplies store in the city. The young Monet glowed with pride seeing them.

Critics liked to call the characters by the artist "cardboard dolls" or "lifeless caricatures". However, Seurat portrayed people in this way quite consciously, deliberately simplifying forms and styling figures following the spirit of flat Greek frescoes or Egyptian hieroglyphs. The artist chose such an image manner according to his philosophy: "I want to reduce the figures of modern people to their essence, make them move just like on frescoes by Phidias, and arrange them on the canvas in chromatic harmony."

Henri Matisse gained fame quickly, but his financial situation remained precarious. And only his acquaintance with Russian patrons and collectors Sergei Shchukin and Ivan Morozov helped him to get out of poverty once and for all.
In 1908, an art connoisseur Sergei Shchukin commissioned him two panels, which he intended to hung on the walls of his Moscow mansion. It was then when the first Dance appeared. Shchukin invited Matisse to Russia, where the artist was completely overwhelmed by Russian icons.

When Paul Cézanne didn't like his own painting, he would just throw it out of the window. Old olives growing under the windows of the artist's studio were hung with unfinished still lifes. Sometimes Paul would think about some of his not completely hopeless sketches that had been hanging in the garden for several months and put them back on his easel. "Son, we must get down the Apples from the cherry tree; I think I'll work on that study some more, " he told his son, who brought a French art dealer Ambroise Vollard to Aix-en-Provence for new paintings.

The impressionist artist Gustave Caillebotte was better known as a patron of art. Having inherited his father's fortune, he supported still unrecognized artists of the time: he bought works, paid for the workshops (for example, Monet), organized exhibitions and auctions where he exhibited paintings from his own collection and bought them at a high price – a marketing move! His hobby were orchids, yachts building, and textile design. And in the honorary "List of outstanding philatelists" he is listed as the "father of philately", his stamp collection is now in the British Museum. He willed a collection of 68 impressionist works (Pissarro, Monet, Renoir, Sisley, Degas, Cézanne, Manet, etc.) to France, now the paintings are a part of the Barnes Foundation in Philadelphia, and the remainder is in the D'Orsay Museum.

Leon Bakst came to the conclusion about the advantages of lecturing over creating paintings in 1923, after delivering at the Plaza Hotel his most famous lecture on fashion and design L'art du Costume et les lois, ces applications selon toute individualité. Bakst was paid 2,000 US dollars for this lecture. Its text was published in Vogue magazine. Bakst really enjoyed it and wrote to his sister that he craved more lectures like that: "This is like Chaliapin’s tour – pleasant and much easier than painting."

The Austrian Dieter Buchhart combined three generations of modernists in one exhibition "The Masters of Modernism: Edvard Munch, Peder Balke and Per Kirkeby", and showed their art quirks. Thus, the Norwegian artist Peder Balke (1804–1884), liked to draw not only with brushes but also with his fingers dipped in water and paint – he got special color transitions this way. And the famous Norwegian Edward Munch (1863–1944) often painted himself somewhere in the background of the picture, denoting his own presence on the canvases.

In 1993, the Tretyakov Gallery acquired Levitan's Portrait of a Little Boy Joseph Levin, made in the early 1880s. That 6-year-old boy with an inquisitive look would become a celebrity during Levitan's lifetime: Joseph Levin would later become a famous pianist Josef Lhévinne. Due to his extraordinary abilities, he would be taken to the senior "professorial" class of the Moscow Conservatory; he would be the first in his class, leaving his classmates Rachmaninoff and Scriabin behind. Later Joseph would go to Dresden to study under Anton Rubinstein, and in 1919 he would move to New York, where he would close his days, leaving a lot of grateful students and a short book Basic Principles in Pianoforte Playing, that is considered a classic of musical and pedagogical literature.

The famous and world-renowned artist Renoir was born in a poor family, and in his youth, he was engaged in far less creative professions than painting. He followed his father, who was a tailor, and sewed clothes and shoes, that is, he mastered the work of a tailor and a shoemaker. The first realization of his artistic gift was painting of dishes – Renoir painted porcelain plates. Fortunately, Renoir managed to achieve widespread fame and become one of the leading French artists even during his lifetime.

Certainly, the great artist did not do it on purpose. During his voyage to Etretat, a place in Normandy with the most beautiful cliffs in France, Monet was fascinated by the views. So much so that, carried away by his work, he did not notice how the tide began. The water came so quickly that the artist himself almost died, but the almost completed landscape had no chance to survive, it drowned in the risen water. However, Monet made up with the landscapes. As recalled Guy de Maupassant who saw him then: "I often followed Claude Monet when he wandered around searching impression. In those moments, he seemed to be not an artist, but a real hunter. He always had 5 or 6 canvases with him, carried by pleasured local children... He took one or another canvas, according to the changing conditions. Sometimes the artist waited for a long time for suitable weather."

A lot of artists tied themselves in knots trying to emulate Kuindzhi's palette. Speaking of the painting Ukrainian Night, Kramskoy wrote in a letter to Repin: "I'm a complete fool in front of this painting. The lighting on the white hut is so realistic that it tiresome for my eyes to look at it, as if it is real..." But the secret of Kuindzhi's palette was easier than it seemed. One day Kuindzhi (who was teaching at the Academy of Arts at the time) invited his friend Dmitry Mendeleev to his class. The latter brought a device estimating the spectral sensitivity of the human eye. Kuindzhi was far ahead of his young students in this indicator. He saw in a different way. Not in terms of creativity, but in the most literal physiological sense.

In 1832, the paintings of two famous artists, who had a quarrel a year before because their paintings had been hung side-by-side, ended up on the same wall of the hall at the Royal Academy of arts. Constable's Opening of Waterloo Bridge was a complex work which had been in progress for ten years. Turner's Helvoetsluys seemed to be a simpler seascape. Shortly before the opening, Constable was adding final touches to his piece. Turner walked in, looked at both paintings, and then added one detail to his one – a little red buoy swaying on the waves. The bright spot instantly attracted the attention of the audience. Constable complained that Turner had been in and 'fired a gun'. 180 years after the first conflict of these landscape artists, their "controversial" paintings were hung side-by-side again.

At age 26, an American portraitist John Singer Sargent had a misfortune of meeting with a model Virginie Gautreau, a Frenchwoman, the wife of a large banker from Paris. The beauty, capable of very extravagant deeds, easily agreed to pose for the artist. But her full-growth portrait in a black dress, favorably emphasizing her curves, caused a real scandal in the Salon: everyone recognized the heroine of the "Portrait of the Lady X". In her profile, decorated with half-moon of the Roman goddess of hunting, the husband of the model saw a hint not at the majestic Diana, but at the hunting "hound", which sniffs, preparing to take the trail. At the behest of Pierre Gautreau, Sargent was accused of sexist attitudes and even immorality. As a result, the artist had to say goodbye to Paris.

The American author of world-famous animation characters, Walt Disney painted his first drawings on a wall, being 4 years old. Young Walt spent his childhood on the farm and most liked to draw animals. At the age of eight, he received the first nickel for drawing the veterinary's favourite horse.