The famous Florentine painter of the Pre-Renaissance period Giotto di Bondone once played a trick on his teacher Cimabue Giovanni, and drew a fly on the nose of one of the painted characters. The insect looked so plausible that Cimabue took it for real and tried several times to brush it off from the picture. And only after several unsuccessful attempts, he finally understood what was the matter.

This happened when Kandinsky was about 30 years old. After visiting Wagner's Opera Lohengrin in Moscow, he suddenly realized that he could "see" music. Later he wrote: "The violins, the deep tones of the basses, and especially the wind instruments at that time embodied for me all the power of that pre-nocturnal hour. I saw all my colours in my mind; they stood before my eyes. Wild, almost crazy lines were sketched in front of me." Shortly afterwards, Wassily Kandinsky decided to leave the legal profession and became an artist.

In 1942, artist Max Ernst selected paintings for an exhibition in the gallery of his wife Peggy Guggenheim. One of the pictures, depicting a young beautiful topless woman with an anxious gaze at the open door, interested him very much... as well as the author of the work, Dorothea Tanning. The picture was "nameless", and he suggested Dorothea to call her "The Birthday"... She divorced her husband, he divorced his wife, and they went to Hollywood to get married. The artist Man Ray and his girlfriend Juliet Brauner were their witnesses, but they also decided to ... get married! It was a double marriage.

The author's copy of the famous "Portrait of Jacopo Foscarini", seized by the Nazis from art historian and collector August Liebmann Mayer, was kept in the Louvre since 1951. The picture, presumably, by Giovanni Batista Moroni was returned to the daughter of the owner, who died in a concentration camp, at a special ceremony at the Jewish Heritage Museum (New York, USA). The undisputed original work is stored in Budapest; it is a notable work in the artist's heritage.

According to the memories of his relatives, the first word of the baby Pablo Picasso was the word "pencil". When the boy grew up, his father began to take his son with him to college, where he taught drawing. And, one day, Picasso’s father for some reason was allegedly called from the office, where he was working on a painting depicting pigeons. On return, he found that the young Pablo finished the picture. The mastery of the 13-year-old son shocked his father so much that he gave Pablo his palette and brush, and since then he no longer came to easel.

4 miles of red yarn, 200 pairs of shoes and handwritten notes were used by Chiharu Shiota for her performance "Perspective", which dramatically and emotionally conveys the personal memories of the Japanese artist. The new art object is intended for the Venice Biennale-2015. Chiharu Shiota is known throughout the world for her research into the phenomenon of memory, losses and totems, in which people can turn ordinary household items such as shoes and keys.

This is about a magnificent canvas of a mystical genre uncharacteristic for Aivazovsky. Being inspired by the biblical line "and the Spirit of God was hovering over the surface of the waters", he embodied it on canvas. Pope Gregory XVI wanted to acquire the painting. Aivazovsky's studio was visited by endless processions consisting of prelates, cardinals and other high-ranking officials, but all these commissions could not find any flaws in the work that would make it unworthy of the Vatican gallery. The Pope bought the painting and awarded Aivazovsky with a golden medal. In this regard, Gogol, with whom Aivazovsky became friends in Rome, came up with a great pun: "Well done, Vania! You, a little man from the banks of the distant Neva, came to Rome and your Chaos immediately caused a chaos in the Vatican! And it's frustrating that if it had been me, a scribbler, who caused chaos in the Vatican, I would have been thumped, and Vania Aivazovsky was given a golden medal ... "

The first believed professional art dealer, the famous art patron Paul Durand-Ruel saw his mission in supporting and developing real art, and, importantly, educating the audience. Between 1871 and 1922, Paul Durand-Ruel acquired about 12,000 Impressionist works, including more than 1000 works by Monet, 1500 works by Renoir, 800 works by Pissarro, 400 works by Degas, Cassatt and Sisley, and about 200 arworks by Manet.

In 2008, Tiepolo's name was the talk of the art world: a picture of the great master was found in the attic of a French estate! Shy grandparents of the current owners prudently hid the luxurious topless lady depicted on the canvas. Thus they perfectly preserved the picture! It is believed that it was ordered by the Russian Empress Elizabeth to decorate the Winter Palace, as there are similar images of the series there. The canvas was called "Portrait of a Lady as Flora" and soon sold at Christie's auction for 4,227,780 dollars, almost three times "overlapping" the considerable estimate.

Arkhip Kuindzhi adored birds. He considered himself a “birds' chosen one”, said that the birds understood his speech and let him pet them. Usually laconic Arkhip Kuindzhi became extremely talkative when it came to birds. He spent hours sitting on the roof of his house, "talking" with pigeons and crows. Every month he bought 60 French buns, up to 10 kg of meat and 6 sacks of oats to feed his feathered friends. Once the illustrator Pavel Scherbov published a caricature depicting Kuindzhi giving an enema to a bird. They say that Arkhip Kuindzhi, deprived of sense of humour, got terribly offended.

In 1564, the famous Italian artist Jacopo Tintoretto, cunningly won the Scuola Grande Di San Rocco commission. His competitors were the best Italian painters of that time, but Tintoretto successfully implemented the "multi-way combination": instead of a sketch, he presented a finished work Saint Roch. Moreover, knowing that the statute of the Scuola (school) di San Rocco forbids refusing gifts, the master wrote on his painting "to Saint Roch from Jacopo Tintoretto". They had no choice but to give the commission to the inventive artist! And he got something to do for the next 23 years: it took so much time to create 69 compositions.

Frida Kahlo created her biggest and most difficult piece, The Wounded Table, in 1940, experiencing a divorce from Diego Rivera. Being a dedicated Communist, she sent the work to the USSR as "a gift of friendship", but Soviet officials considered it to be an example of "decadent bourgeois formalist art" and unsuitable for public display. In 1955, the painting was shown in Poland in an exhibition, but on the way back to Moscow The Wounded Table disappeared as if into thin air. Years of searching in Europe and America have been unsuccessful. The painting remains the "Holy Grail" for art historians, studying Frida Kahlo's work.

In 1832, the paintings of two famous artists, who had a quarrel a year before because their paintings had been hung side-by-side, ended up on the same wall of the hall at the Royal Academy of arts. Constable's Opening of Waterloo Bridge was a complex work which had been in progress for ten years. Turner's Helvoetsluys seemed to be a simpler seascape. Shortly before the opening, Constable was adding final touches to his piece. Turner walked in, looked at both paintings, and then added one detail to his one – a little red buoy swaying on the waves. The bright spot instantly attracted the attention of the audience. Constable complained that Turner had been in and 'fired a gun'. 180 years after the first conflict of these landscape artists, their "controversial" paintings were hung side-by-side again.

By the age of 20, Matisse had studied to be a lawyer and got the right to start his own practice, which caused his return to his native wilderness in the north of France. But suddenly he was overtaken by an attack of appendicitis, and Matisse had to undergo several surgical interventions (it was 1889, and the patient had complications). To entertain his son and cheer him up, his mother brought paints to the hospital, he enthusiastically began to copy the old postcards. The mood improved so much that after the hospital Matisse headed straight for Paris, having decided to become an artist. His father, the shopkeeper was very upset: he hoped that the son would become a decent person.

A lot of artists tied themselves in knots trying to emulate Kuindzhi's palette. Speaking of the painting Ukrainian Night, Kramskoy wrote in a letter to Repin: "I'm a complete fool in front of this painting. The lighting on the white hut is so realistic that it tiresome for my eyes to look at it, as if it is real..." But the secret of Kuindzhi's palette was easier than it seemed. One day Kuindzhi (who was teaching at the Academy of Arts at the time) invited his friend Dmitry Mendeleev to his class. The latter brought a device estimating the spectral sensitivity of the human eye. Kuindzhi was far ahead of his young students in this indicator. He saw in a different way. Not in terms of creativity, but in the most literal physiological sense.

For a long time, the famous English Pre-Raphaelite artists George Frederick Watts and Frederic Leighton were not only friends, but also neighbours. They lived on adjacent plots of a unique artists' colony built in Holland Park in the second half of the XIX century. The "brothers in art" shared the gate that connected their gardens, and every morning Leighton would call Watts to tell him about the latest news of the Royal Academy of Arts. Leighton was a member of each committee of the Royal Academy, the so-called social activist, and in 1878, at the early age of 48 he became president of the Academy. Watts wasn't that interested in the affairs of the institution, and Leighton was constantly making efforts to prevent his friend from being excluded from it.

All Claude Monet's friends and relatives recalled the artist's unpredictable fits of rage. His children and wife Alice knew that it was better not to bother Monet at such moments, and even not to call him for dinner. The neighbours got used to the fact that it wasn't necessary to greet the eccentric artist on such days – he didn't respond or even hear them anyway. But there was one thing everyone was sure about – that fit of rage would end with something huge.
One morning, Monet was furious because grey road dust settled on the flowers in his garden. He slammed the door and went to the mayor: the road in Giverny had to be paved! The city hall had already considered that project more than once, but they didn't have enough money for it – they lacked 2,800 francs.
"I will give you 1,200 francs," Monet suggested.
In a few days, they started to pave the road to Rue.

At one time, Maurits Escher made attempts to translate Bach's works into a graphic language. However, when musicians came to him with a request to illustrate the cover of their new album, he categorically refused. The same cold shoulder received the leader of The Rolling Stones Mick Jagger, who wished to decorate his plate with an engraving "Verbum". However, many musicians did not feel confused about the artist’s position, and they used Escher's drawings without permission, which disturbed him very much.

The main source of biographical information about Caravaggio – police and court records: there's at least one murder and countless fights under the belt of the Italian genius. One of these recorded fights gives reason to think that Caravaggio was not only a thug who should have been sent to anger management courses, but also a gourmet.
It happened in the tavern. A waiter served Caravaggio and two of his friends a large earthenware dish with eight artichokes: half of them were fried in oil and half – in butter. Caravaggio asked which were which: perhaps for him it was as important as light and shadow. The waiter shrugged and suggested that Caravaggio should sniff the artichokes to find out for himself. Caravaggio immediately leapt up, hit him with an earthenware dish and drew his ever-ready sword.

In 2015, the Boston Museum of Fine Arts issued an apology and cancelled a program, displaying Claude Monet's painting of his wife and giving the visitors the opportunity to put on a kimono similar to the one depicted in the painting, and encouraging them to pose for photographs. Before that, the painting La Japonaise. Camille Monet in Japanese Costume was shown all over Japan where the viewers posing in a kimono was an organic part of the special program. What could go wrong in America? And yet, an innocent event caused protest actions and accusations of cultural insensibility: some of the visitors noticed there "Orientalist flirtations with the exotic".