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Dzhigitovka Lezgin. Return of the Cossack. Model 1874.
Evgene Lanceray • Sculpture, 1898
Description of the artwork «Dzhigitovka Lezgin. Return of the Cossack. Model 1874.»
EVGENY ALEXANDROVICH LANSERE (1848 - 1886) Dzhigitovka Lezgin. Return of the Cossack. Model 1874. Casting 1898. Bolshaya. Cast iron, Dutch soot, Kaslinsky casting.
EVGENY ALEXANDROVICH LANSERE (1848 - 1886) LEZGIN'S JIGGING. Return of the Cossack. Model 1874. Casting 1898. Large.
Historical Relation:
The sculptural group is made according to the impressions of the trip to the Caucasus and depicts the moment of the battle. Dzhigitovka - exercises on a galloping horse in some peoples of Central Asia and the Caucasus. Lezgins are the people belonging to the indigenous population of the southeast of Dagestan and the north of Azerbaijan.
On the basement of the pedestal is a bas-relief image of the “armature” (a composition composed of weapons and equipment of a rider) - a technique used in monumental sculpture and uncharacteristic for small plastic. Used in other works of the master.
The plant began to cast this sculpture group in 1887. In the iron castings of the 1880s - 1890s. she was among the predominant, because the owners of enterprises that influenced the selection of works on a particular topic especially liked the exotic life of highlanders and nomads. The composition, unlike the others, has no analogues in bronze and has been cast exclusively in cast iron for more than 130 years. In the last quarter of the 19th century, the master of the Kaslinsky factory V.F.Torokin made a reduction (a small copy) of this sculptural composition.
The cast iron foundry and ironworks in Kaslya was founded in 1747 by the merchant Yakov Korobkov on the Bashkir lands near the Bolshoi Kasli lake (Southern Urals). In 1752, the plant became the property of N. Demidov, and since 1809, the Volsky merchant L. Rastorguev. Initially, the factory carried out military orders, and from 1815 various household utensils were produced - cauldrons, boilers, washstands, irons, bowls, etc. Kaslyam brought real fame to the art of cast iron, which began to be handled in 1824, but reached the highest maturity in the 80s - 90s XIX century. During this period, the most significant works of sculpture were cast. The highest quality casting gave excellent characteristics of cast iron. It was smelted on charcoal, as a result of which cast iron became plastic, free-flowing, obedient. by casting a iron iron for iron. For more than 130 years, Azerbaijan has been casting. moment of battle. In 1896, the plant received the right to stamp the double-headed eagle as an award of the All-Russian Art and Industrial Exhibition in Nizhny Novgorod.
*******************************************.... ************* Historical Relation:
The sculptural group is made according to the impressions of the trip to the Caucasus and depicts the moment of the battle. Dzhigitovka - exercises on a galloping horse in some peoples of Central Asia and the Caucasus. Lezgins are the people belonging to the indigenous population of the southeast of Dagestan and the north of Azerbaijan.
On the basement of the pedestal is a bas-relief image of the “armature” (a composition composed of weapons and equipment of a rider) - a technique used in monumental sculpture and uncharacteristic for small plastic. Used in other works of the master.
The plant began to cast this sculpture group in 1887. In the iron castings of the 1880s - 1890s. she was among the predominant, because the owners of enterprises that influenced the selection of works on a particular topic especially liked the exotic life of highlanders and nomads. The composition, unlike the others, has no analogues in bronze and has been cast exclusively in cast iron for more than 130 years. In the last quarter of the 19th century, the master of the Kaslinsky factory VFTorokin made a reduction (a small copy) of this sculptural composition.
The cast iron foundry and ironworks in Kaslya was founded in 1747 by the merchant Yakov Korobkov on the Bashkir lands near the Bolshoi Kasli lake (Southern Urals). In 1752, the plant became the property of N. Demidov, and since 1809, the Volsky merchant L. Rastorguev. Initially, the factory carried out military orders, and from 1815 various household utensils were produced - cauldrons, boilers, washstands, irons, bowls, etc. Kaslyam brought real fame to the art of cast iron, which began to be handled in 1824, but reached the highest maturity in the 80s - 90s of the XIX century. During this period, the most significant works of sculpture were cast. The highest quality casting gave excellent characteristics of cast iron. It was smelted on charcoal, as a result of which cast iron became plastic, free-flowing, obedient. by casting a iron iron for iron. For more than 130 years, Azerbaijan has been casting. moment of battle. In 1896, the plant received the right to stamp the double-headed eagle as an award of the All-Russian Art and Industrial Exhibition in Nizhny Novgorod.
***************************************.... **********
Relation historique:
Le groupe de sculptures est constitué selon les impressions du voyage dans le Caucase et dépeint le moment de la bataille. Dzhigitovka - exercices sur un cheval au galop chez certains peuples d'Asie centrale et du Caucase. Les Lezgins sont les personnes appartenant à la population indigène du sud-est du Daghestan et du nord de l'Azerbaïdjan.
Au sous-sol du piédestal se trouve une image en bas-relief de “l'armature” (une composition composée d'armes et d'équipement d'un cavalier) - une technique utilisée dans la sculpture monumentale et inhabituelle pour les petits plastiques . Utilisé dans d'autres œuvres du maître.
L'usine a commencé à fondre ce groupe de sculptures en 1887. Dans les pièces moulées en fer des années 1880-1890. elle était parmi les prédominantes, car les propriétaires d'entreprises qui ont influencé la sélection d'œuvres sur un sujet particulier ont particulièrement apprécié la vie exotique des montagnards et des nomades. La composition, contrairement aux autres, n'a pas d'analogues en bronze et est coulée exclusivement en fonte depuis plus de 130 ans. Dans le dernier quart du XIXe siècle, le maître de l'usine Kaslinsky VFTorokin a réalisé une réduction (une petite copie) de cette composition sculpturale.
La fonderie de fonte et les forges de Kaslya ont été fondées en 1747 par le marchand Yakov Korobkov sur les terres bachkir près du lac Bolchoï Kasli (sud de l'Oural). En 1752, l'usine devint la propriété de N. Demidov, et depuis 1809, le marchand Volsky L. Rastorguev. Au départ, l'usine exécutait des commandes militaires et à partir de 1815, divers ustensiles ménagers étaient produits - chaudrons, chaudières, lavabos, fers à repasser, bols, etc. dans les années 80 - 90 XIX siècle. Au cours de cette période, les œuvres de sculpture les plus importantes ont été coulées. La coulée de la plus haute qualité a donné d'excellentes caractéristiques à la fonte. Il a été fondu sur du charbon de bois, à la suite de quoi la fonte est devenue plastique, fluide, obéissante. en coulant un fer à repasser pour du fer. Depuis plus de 130 ans, l'Azerbaïdjan a coulé. moment de la bataille. En 1896, l'usine a reçu le droit d'estampiller l'aigle bicéphale en tant que prix de l'exposition panrusse d'art et d'industrie de Nijni Novgorod
EVGENY ALEXANDROVICH LANSERE (1848 - 1886) LEZGIN'S JIGGING. Return of the Cossack. Model 1874. Casting 1898. Large.
Historical Relation:
The sculptural group is made according to the impressions of the trip to the Caucasus and depicts the moment of the battle. Dzhigitovka - exercises on a galloping horse in some peoples of Central Asia and the Caucasus. Lezgins are the people belonging to the indigenous population of the southeast of Dagestan and the north of Azerbaijan.
On the basement of the pedestal is a bas-relief image of the “armature” (a composition composed of weapons and equipment of a rider) - a technique used in monumental sculpture and uncharacteristic for small plastic. Used in other works of the master.
The plant began to cast this sculpture group in 1887. In the iron castings of the 1880s - 1890s. she was among the predominant, because the owners of enterprises that influenced the selection of works on a particular topic especially liked the exotic life of highlanders and nomads. The composition, unlike the others, has no analogues in bronze and has been cast exclusively in cast iron for more than 130 years. In the last quarter of the 19th century, the master of the Kaslinsky factory V.F.Torokin made a reduction (a small copy) of this sculptural composition.
The cast iron foundry and ironworks in Kaslya was founded in 1747 by the merchant Yakov Korobkov on the Bashkir lands near the Bolshoi Kasli lake (Southern Urals). In 1752, the plant became the property of N. Demidov, and since 1809, the Volsky merchant L. Rastorguev. Initially, the factory carried out military orders, and from 1815 various household utensils were produced - cauldrons, boilers, washstands, irons, bowls, etc. Kaslyam brought real fame to the art of cast iron, which began to be handled in 1824, but reached the highest maturity in the 80s - 90s XIX century. During this period, the most significant works of sculpture were cast. The highest quality casting gave excellent characteristics of cast iron. It was smelted on charcoal, as a result of which cast iron became plastic, free-flowing, obedient. by casting a iron iron for iron. For more than 130 years, Azerbaijan has been casting. moment of battle. In 1896, the plant received the right to stamp the double-headed eagle as an award of the All-Russian Art and Industrial Exhibition in Nizhny Novgorod.
*******************************************.... ************* Historical Relation:
The sculptural group is made according to the impressions of the trip to the Caucasus and depicts the moment of the battle. Dzhigitovka - exercises on a galloping horse in some peoples of Central Asia and the Caucasus. Lezgins are the people belonging to the indigenous population of the southeast of Dagestan and the north of Azerbaijan.
On the basement of the pedestal is a bas-relief image of the “armature” (a composition composed of weapons and equipment of a rider) - a technique used in monumental sculpture and uncharacteristic for small plastic. Used in other works of the master.
The plant began to cast this sculpture group in 1887. In the iron castings of the 1880s - 1890s. she was among the predominant, because the owners of enterprises that influenced the selection of works on a particular topic especially liked the exotic life of highlanders and nomads. The composition, unlike the others, has no analogues in bronze and has been cast exclusively in cast iron for more than 130 years. In the last quarter of the 19th century, the master of the Kaslinsky factory VFTorokin made a reduction (a small copy) of this sculptural composition.
The cast iron foundry and ironworks in Kaslya was founded in 1747 by the merchant Yakov Korobkov on the Bashkir lands near the Bolshoi Kasli lake (Southern Urals). In 1752, the plant became the property of N. Demidov, and since 1809, the Volsky merchant L. Rastorguev. Initially, the factory carried out military orders, and from 1815 various household utensils were produced - cauldrons, boilers, washstands, irons, bowls, etc. Kaslyam brought real fame to the art of cast iron, which began to be handled in 1824, but reached the highest maturity in the 80s - 90s of the XIX century. During this period, the most significant works of sculpture were cast. The highest quality casting gave excellent characteristics of cast iron. It was smelted on charcoal, as a result of which cast iron became plastic, free-flowing, obedient. by casting a iron iron for iron. For more than 130 years, Azerbaijan has been casting. moment of battle. In 1896, the plant received the right to stamp the double-headed eagle as an award of the All-Russian Art and Industrial Exhibition in Nizhny Novgorod.
***************************************.... **********
Relation historique:
Le groupe de sculptures est constitué selon les impressions du voyage dans le Caucase et dépeint le moment de la bataille. Dzhigitovka - exercices sur un cheval au galop chez certains peuples d'Asie centrale et du Caucase. Les Lezgins sont les personnes appartenant à la population indigène du sud-est du Daghestan et du nord de l'Azerbaïdjan.
Au sous-sol du piédestal se trouve une image en bas-relief de “l'armature” (une composition composée d'armes et d'équipement d'un cavalier) - une technique utilisée dans la sculpture monumentale et inhabituelle pour les petits plastiques . Utilisé dans d'autres œuvres du maître.
L'usine a commencé à fondre ce groupe de sculptures en 1887. Dans les pièces moulées en fer des années 1880-1890. elle était parmi les prédominantes, car les propriétaires d'entreprises qui ont influencé la sélection d'œuvres sur un sujet particulier ont particulièrement apprécié la vie exotique des montagnards et des nomades. La composition, contrairement aux autres, n'a pas d'analogues en bronze et est coulée exclusivement en fonte depuis plus de 130 ans. Dans le dernier quart du XIXe siècle, le maître de l'usine Kaslinsky VFTorokin a réalisé une réduction (une petite copie) de cette composition sculpturale.
La fonderie de fonte et les forges de Kaslya ont été fondées en 1747 par le marchand Yakov Korobkov sur les terres bachkir près du lac Bolchoï Kasli (sud de l'Oural). En 1752, l'usine devint la propriété de N. Demidov, et depuis 1809, le marchand Volsky L. Rastorguev. Au départ, l'usine exécutait des commandes militaires et à partir de 1815, divers ustensiles ménagers étaient produits - chaudrons, chaudières, lavabos, fers à repasser, bols, etc. dans les années 80 - 90 XIX siècle. Au cours de cette période, les œuvres de sculpture les plus importantes ont été coulées. La coulée de la plus haute qualité a donné d'excellentes caractéristiques à la fonte. Il a été fondu sur du charbon de bois, à la suite de quoi la fonte est devenue plastique, fluide, obéissante. en coulant un fer à repasser pour du fer. Depuis plus de 130 ans, l'Azerbaïdjan a coulé. moment de la bataille. En 1896, l'usine a reçu le droit d'estampiller l'aigle bicéphale en tant que prix de l'exposition panrusse d'art et d'industrie de Nijni Novgorod
