A point in Impressionism
In the 1880s, began to falter, and young artists tried to come up with new techniques, to rethink the popular style. They were called Neo-Impressionists.
Pointillism is a technique of painting in which small, distinct dots of color are applied in patterns to form an image. The dots are close to each other, they can be round, square (an imprint of flat brush), or slightly elongated. If the composition is viewed from a certain distance, they will merge into a continuous picture. This creative method was invented by French artist Georges Seurat, who branched it from . Neo-Impressionism and Pointillism are often used as synonyms.
The colors on such canvases are usually bright, clean, and airy. Pointillists used the color range and subjects of the Impressionists, but with another technique — point brushstrokes - this was the basic difference between the art movements.
The Divisionists, too, used a similar technique of patterns to form images, though with larger cube-like brushstrokes.
At the last Impressionist exhibition in 1886, Georges Seurat presented "A Sunday Afternoon on the Island of La Grande Jatte" that was executed with miniature dots and small brushstrokes (the painting is exhibited today at the Art Institute of Chicago, Chicago). Some of the recognized masters condemned the innovator, while the others began to use his technique. For example, Camille Pissarro, one of the founders of the , had been painting in this technique for five years, thus supporting his younger colleagues.
Points in pointillism can be large - as, for example, in Paul Signac's "The Pine Tree at St. Tropez", or very small, almost imperceptible, as in "The Models" by Seurat.
One of the most expensive works of pointillists is "Au Divan japonais" by Georges Seurat (pencil, gouache). In 2008, it was auctioned for EUR 4,992,750 at Sotheby’s.