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Richard Parkes Bonington
Richard Parkes
United Kingdom 1802−1828
Biography and information

1819 studying at the Paris School of fine arts in Antoine-Jean Gros, however, not adopted from the last drag of historical painting. More important for the creative development of Bonington was the friendship with Eugene Delacroix and Theodore géricault. At the Paris salon of 1824 Bonington received a gold medal in 1825, along with Delacroix went to London to study the work of jmw Turner and of the English historical school of painting.

The artistic influence of Bonington in the romantics of England and France was so great that it is felt even in the works of Camille Corot, the Impressionists and painters of the Barbizon school. No less successful was his work in lithography.

English artist. In 1817, with his family, Bonington moved to Calais, where he studied under françois Louis Francia, who painted watercolors in the English tradition. Then he went to Paris, where he works in the Studio of Gros (1821−1822). In 1821−1822 he visits the North of France, in 1823 — Belgium, in 1826 — Northern Italy and Venice. The landscape becomes the main theme; in 1822 he first sends to the Salon two channel watercolor. "The Cathedral and quay in Rouen" (CA. 1821, London, British Museum) belongs to the tradition of topographical types, but in later watercolors, more vivid in color and free in the manner already felt his Parisian lessons and a new flavor to oil painting. In the Salon of 1824 he exhibited four landscape oil and one watercolor, for which he receives a gold medal, as his fellow Constable and Copley Fielding. From 1825 Bonington annually travels to London where he soon became known. But the most significant event of his first visit was to get acquainted with Delacroix. Back in Paris, both artists work in the same workshop: Delacroix uses brilliant watercolor technique Bonington, and that, in turn, tries to write historical and Oriental scenes. The top short the artistic career of Bonington, which was interrupted by tuberculosis, became 1826. He paints a picture of the "Picardy coast" (Kingston upon hull, Gal. Ferens), which means painting conveys a heightened sense of atmosphere. In the summer he went to Italy; the changing light of Venice and its buildings are of bright colors perfect his technique. Studies performed here ("the Monument of count Leoni", watercolor, Paris, Louvre) are among the best of his works. He writes views of Venice and historical scenes ("Henry III and the Spanish envoy", London, the Wallace collection), which, despite its closeness to the works of Delacroix, testify to the keen interest of Bonington to Venetian painting. After 1824 he performs a number of lithographs and works on the book of Baron Taylor’s "Picturesque journey in ancient France." Bonington — a remarkable personality in the artistic environment of France of the 1820s, at the same time, he is an excellent representative of the English school of painting. His work, influenced the development of landscape painting of the XIX century, was aptly characterized by Delacroix: "keen on their own virtuosity". Works from the workshop of Bonington was sold by Sotheby’s on 29 and 30 June 1829, but many of the paintings remained in France. The artist’s works are represented in major British museums (in particular, in Nottingham and London, the Wallace collection) and the Louvre ("Water parterres at Versailles, the Normandy coast").

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Artworks liked by
Renata Khasyanova

Richard Parkes Bonington. Street of St. Anastasia in Verona
Richard Parkes Bonington. The Grand Canal in Venice
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Richard Parkes Bonington. View of the lagoon near Venice
View of the lagoon near Venice
Richard Parkes Bonington
43×30 cm
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Artworks by the artist
total 44 artworks
Richard Parkes Bonington. Sea view
Sea view
84×54 cm
Richard Parkes Bonington. Sea coast in Normandy
Sea coast in Normandy
38×45 cm
Richard Parkes Bonington. View in Normandy
View in Normandy
1823, 44×33 cm
Richard Parkes Bonington. Street of the Big clock in Rouen
Street of the Big clock in Rouen
1824, 25×24 cm
Richard Parkes Bonington. Francis I and Marguerite of Navarre
Francis I and Marguerite of Navarre
1827, 34×46 cm
Richard Parkes Bonington. The parterre in Versailles
The parterre in Versailles
55×44 cm
Richard Parkes Bonington. Francis I and Duchess d ' Etampes
Francis I and Duchess d ' Etampes
27×35 cm
Richard Parkes Bonington. View of the lagoon near Venice
View of the lagoon near Venice
43×30 cm
Richard Parkes Bonington. View of the coast in Normandy
View of the coast in Normandy
39×47 cm
View 44 artworks by the artist