The Barnes is home to one of the world’s greatest collections of impressionist, post-impressionist, and early modernist paintings, with especially deep holdings in Renoir, Cézanne, Matisse, and Picasso. Assembled by Dr. Albert C. Barnes between 1912 and 1951, the collection also includes important examples of African art, Native American pottery and jewelry, Pennsylvania German furniture, American avant-garde painting, and wrought-iron metalwork.
The minute you step into the galleries of the Barnes collection, you know you’re in for an experience like no other. Masterpieces by Vincent Van Gogh, Henri Matisse, and Pablo Picasso hang next to ordinary household objects—a door hinge, a spatula, a yarn spinner. On another wall, you might see a French medieval sculpture displayed with a Navajo textile. These dense groupings, in which objects from different cultures, time periods, and media are all mixed together, are what Dr. Barnes called his “ensembles.”
The ensembles, each one meticulously crafted by Dr. Barnes himself, are meant to draw out visual similarities between objects we don’t normally think of together. Created as teaching tools, they were essential to the educational program Dr. Barnes developed back in the 1920s.