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Kunstsammlung Basel, Basel

The Kunstmuseum Basel’s Hauptbau was completed in 1936 based on plans by the architect Rudolf Christ (Basel) and his colleague Paul Bonatz (Stuttgart), two representatives of a conservative modernism. It was originally conceived solely for the presentation of the museum’s collections, and since the spring of 2016, when the new building with its skylighted galleries specifically designed for special exhibitions opened, the main building is once again entirely dedicated to its original purpose.

The ground floor now showcases the collection of art from Basel; the mezzanine is reserved for the treasures of the Im Obersteg Collection. The collections of medieval and Renaissance art as well as works from the seventeenth, eighteenth, and nineteenth centuries can be found on the second floor. The art of classic modernism and European postwar modernism is presented on the third floor. Finally, the Hauptbau also houses the museum’s department of prints and drawings (on the mezzanine) and the shop and museum bistro (on the ground floor).

In April 2016, the museum inaugurated a third venue across the street from the Hauptbau, to which it is connected by an underground passage: the Neubau by the local architects Christ & Gantenbein. It is designed to accommodate both special exhibitions and presentations of art from the collections. Construction of the new building was made possible by a public-private partnership: Dr. h. c. Maja Oeri donated the funds that enabled the Canton of Basel-Stadt to purchase the building plot, and the Laurenz Foundation contributed CHF 50 million toward the building costs of altogether ca. CHF 100 million.

Many elements of the Neubau quote the architectonic idiom of its older sibling across the street. The dialogue between the structures is most readily apparent in the new building’s monumental staircase beneath a central circular skylight, the rough scraped plaster in the foyer and stairwell, and the subtle colors of the brick façade.

The great special exhibitions are held in the skylighted galleries on the third floor. Treasures from the collection of art after 1950 are presented on the other gallery levels and in the passageway connecting the Neubau to the Hauptbau—with the exception of contemporary art, which is on view at the Kunstmuseum Basel | Gegenwart. A branch of the shop in the Hauptbau is located on the Neubau’s ground floor.

Source: kunstmuseumbasel.ch

 

St. Alban-Graben, 16
Exhibitions
Museum's collection
Oskar Kokoschka. Bride of the wind
40
Oskar Kokoschka
1914, 220×181 cm
Pablo Picasso. Girl in a hat seated in an armchair
3
Pablo Picasso
1942, 130.5×97.5 cm
Pablo Picasso. Woman with flowers
6
Pablo Picasso
1932, 130×162 cm
Franz Marc. The fate of the animals
13
Franz Marc
1913, 196×226 cm
Vincent van Gogh. Marguerite Gachet at the piano
32
Vincent van Gogh
June 1890, 102.6×50 cm
Rembrandt Harmenszoon van Rijn. David with the head of Goliath before Saul
2
Rembrandt Harmenszoon van Rijn
1629, 27.5×39.5 cm
Hans Holbein The Younger. Dead Christ in the coffin
7
Hans Holbein The Younger
1521, 30.5×200 cm
Claude Monet. The Japanese bridge (Bridge over a pond with water lilies)
2
Claude Monet
1919, 66×107.5 cm
Paul Klee. Villa R
3
Paul Klee
1919
Jasper Jones. Painted bronze (ale Cans, Ballentin)
1
Jasper Jones
1960
Hans Holbein The Younger. Lais Corinthian
2
Hans Holbein The Younger
1526, 35.6×26.7 cm
Paul Klee. Small room in Venice
2
Paul Klee
1933
Paul Klee. Battle scene from the comic fantastic Opera "the Seafarer"
4
Paul Klee
1923, 34×50 cm
Paul Klee. Crystal
6
Paul Klee
1921, 24×31 cm
Jackson Pollock. Electric Night
3
Jackson Pollock
1946, 60.7×48.3 cm
Johann Heinrich Fuessli. Nude and pianist
5
Johann Heinrich Fuessli
1799, 99×71 cm
Paul Klee. Ancient sound
2
Paul Klee
1925, 38×38 cm
Henri Rousseau. The Muse inspiring the poet
5
Henri Rousseau
1909, 146×97 cm
Vincent van Gogh. Still life with smoked herring
5
Vincent van Gogh
1886, 21×42 cm
Felix Vallotton. Pond
3
Felix Vallotton
1909, 73×100 cm
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