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Abstract art

The symphony of colors in open space

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Since the moment when photography saved artists from the need to compete in the art of realistic depiction of reality, painting has gradually begun to get rid of subject forms. And when the creators were finally able to abstract from objects or images in their paintings at the beginning of the last century, the abstract art emerged.

A few lines, curves, and dots

The basis for the emergence of Abstract art had began to be formed long before that moment. William Turner is considered to be one of the forefathers of all possible "-isms." It is true that in the Englishman’s heritage there are canvases where some objects or subjects can be guessed only by looking at the titles of the paintings.
Then, there were the Impressionists, the Cubists and the Fauves, whose experiments have pushed painting from academic realism. There exist different opinions about who of the artists was the first to finally dare to get rid of the objectness. According to one version, it was František Kupka, according to the other, more common one — Wassily Kandinsky. Be that as it may, in the 1910s, pictorial art reached the point of no return, refusing to fulfill one of its main functions — reflecting reality.

Basically, Abstract art is a loose concept, as the term is applicable to multiple art movements, sharing the lack of figurativeness.

Depending on what the representatives of each of them focused on, the principles and names of the new styles were formed. Thus, Abstract art includes Luchism, Tachisme, Orphism, Suprematism, Neoplasticism, Abstract Expressionism, and other art movements. The seeds of non-objective painting were especially fruitful in the USSR. In the 1920s, whole groups of artists were engaged in the cultivation of avant-garde trends: Malevich, Suetin, Goncharova, Chashnik, Matiushin and others.
Alexander Mikhailovich Rodchenko. Abstract composition No. 60
Alexandra Exter. Pointless
  • Aleksandr Rodchenko. Abstract Composition Nr. 60
  • Alexandra Exter. Objectless
In an indirect form, the features of Abstractionism can be traced among the adherents of a number of avant-garde movements: Futurists, Surrealists, Expressionists, Constructivists and many others. Generally speaking, the appearance of Abstract art let loose all those restrained by the canon of academic painting, because from that moment the artists could do anything.
Paul Klee. Flora on the sand
Paul Klee. Before the snow
  • Paul Klee. Flora
    Exquisite still-lifes and marvelous plants on canvases: flowers do not only beautify the appearance, but also open secret meanings, and convey messages to the attentive researcher. Leafing through captivating Herbarium, we're examining enigmatic garden of flower symbols.

    Read more
    on Sand, 1927
  • Paul Klee. Before the Snow, 1929
All Abstract art works are divided into geometric and lyrical abstraction. Acute angles, dispassionate atmosphere and clear forms define the first category, and smooth fluid lines and lyrical mood are characteristic, respectively, for the second one.

What do composers have in common with Abstract painters?

Those were musical compositions that became the impulse for the appearance of the first works of abstract art. The artists tried to achieve the same effect that the music produced on the listeners. Having no physical or any other tangible form, that is, being essentially an abstract concept, the sounds of music, however, can make a person feel quite real emotions, e.g. cry for joy or sadness; they can also cheer people up or inspire.

So Wagner’s opera Lohengrin, which caused a storm of not only emotions but also visual images in the mind of a beginning artist Wassily Kandinsky, made him think about trying to do something similar with the canvas and paint — something producing the same powerful impact on the viewer, but without a direct use of specific images.

One of the first experiments on this path was the painting Impression III (Concert), created by Kandinsky after he had visited a performance of Arnold Schönberg from Vienna. By the way, he worked in an atonal manner — that is, he was the avant-gardist of music. Although in this work one can still see some figures — the outline of the piano and the heads of the spectators in the stalls — this painting can hardly be considered figurative.
Robert Delaunay also sought to create pictorial symphonies. Even the Orphism, the art movement founded by him together with his wife Sonia Delaunay, was named after Orpheus, a singer and musician from the myths of Ancient Greece. Although this term was not coined by Delaunay himself (he preferred the term "simultanism" in honour of the theory of the simultaneous contrast of colours), but by the French poet Guillaume Apollinaire.
Robert Delaunay. Rhythm
Robert Delaunay. The woman with the umbrella. (Parisienne)
  • Robert Delaunay. Rhythm, 1934
  • Robert Delaunay. Woman with Umbrella. (The Parisian), 1913

What distinguishes the works by abstract artists from children's drawings?

Firstly, not all abstract paintings look as if they could be drawn by a child. Most often, such claims are advanced against the representatives of Abstract Expressionism
You can hardly tell the exact day or year of the birth of Expressionism, which is usual for all powerful art movements. You cannot draw a border on the map and indicate the territory where Expressionism took its start and got stronger. Overall, it’s all roughly known. Except for one rock-solid spatiotemporal benchmark: Northern Europe on the eve of the First World War. Expressionism is an avant-garde art movement, a new tragic worldview, and a whole set of significant motifs, symbols, and myths. Moreover, it is a revolutionary reaction both to the shabby, lifeless traditional academic art, and the light, idyllic southern impressionistic “appearance” of the world. Read more
. But their works, like the canvases by other movements' representatives are often technically complex, or they seem simple only at first glance. And the chaos on them is usually structured, which makes it possible to unmistakably separate the original from a counterfeit.

As the experiments show, human eye can distinguish the work of an abstract artist from the child’s drawing or a masterpiece created by the animal: for example, a chimpanzee. In 60 — 70% of cases, participants of such tests successfully coped with the task. You can experience it first-hand by taking Arthive’s quiz and seeing the results of other respondents.

Fernand Leger. Russian ballet
Piet Mondrian. Trafalgar square
  • Fernand Léger. The Exit of the Russian Ballet, 1914
  • Piet Mondrian. Trafalgar Square, 1943
Some Abstract art painters tried to get rid of any hints that could make the viewer associate with objects or images depicted on the canvases, and therefore gave them the most abstract titles such as "Plot Nr," "Composition," or didn’t give them any names at all. But others, on the contrary, used the names denoting the idea that should be seen by the viewer on the canvas — be it, for example, "Russian Ballet" or "Trafalgar Square".

Abstract Art: A Crib

Abstract artists:

Significant Works by Abstract Painters

Although formally the first abstract painting was created by Kandinsky in 1910, his Picture with a Circle (1911) was considered the first canvas painted entirely in abstract style. Perhaps it is because Kandinsky’s First Abstract Watercolour, kept in Centre Georges Pompidou, Paris is quite a small sketch
A study is an exercise painting that helps the painter better understand the object he or she paints. It is simple and clear, like sample letters in a school student’s copybook. Rough and ready, not detailed, with every stroke being to the point, a study is a proven method of touching the world and making a catalogue of it. However, in art history, the status of the study is vague and open to interpretation. Despite its auxiliary role, a study is sometimes viewed as something far more significant than the finished piece. Then, within an impressive frame, it is placed on a museum wall.
So, when does a study remain a mere drill, and when can we call it an artwork in its own right, full of life and having artistic value? Read more
, made on paper. During the creation of his Picture with a Circle, Kandinsky was obsessed with the ideas of interrelation between painting and music, and the artist planned this work as a response to Wagner’s opera. The artist considered the musicality of his paintings the most important thing after the symbolism
Exquisite still-lifes and marvelous plants on canvases: flowers do not only beautify the appearance, but also open secret meanings, and convey messages to the attentive researcher. Leafing through captivating Herbarium, we're examining enigmatic garden of flower symbols.

Read more Symbolism is an art movement that has been reflected in painting, literature and music. It emerged in the 1870s-1880s in France, later spread to Belgium, Norway, and the Russian Empire. It reached the peak of popularity at the turn of the 19th-20th centuries. Symbolism is characterized by sadness, introspection and understatement: as if an artist came to quiet despair, but he was too shy to talk about these feelings, so he painted them.



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, and strove to play on the strings of the souls of the spectators with the help of colour.
Frantisek Kupka. The first step
The first step
1909, 83×129 cm
It is one of the first non-objective paintings of the Czech artist, who lived mainly in the capital of France. Having tried his hand at Fauvism, Cubism and Orphism, Kupka eventually came to a final rejection of figurative painting. Although cosmic motifs can be traced in this work — and it’s for a reason — the artist was fond of lectures in physics and biology, and even had a microscope and a telescope in his studio. Paradoxically, it was his interest in exact sciences that led him to Abstract art: "Nature is ever-changing, rapid are its metamorphoses," he explained. "That's why non-objective paintings reproduce more exactly what the most faithful realist painters attempted to give the world."

It happened so that Kupka always found himself in the shadow of other avant-garde artists. Still, there were also those who appreciated his contribution to the formation of Abstract art. American art critic Alfred H. Barr wrote: "In comparison with these [Kupka's] conclusive and carefully considered achievements the slightly earlier abstractions of Kandinsky and Larionov seem tentative."
Almost simultaneously with Kandinsky and Kupka, French artist Robert Delaunay cultivated the soil of Abstract art. The painting Simultaneous Disc in general and its title in particular are inspired by The Principles of Harmony and Contrast of Colours by Michel-Eugène Chevreul. As a chemist, he was director of the dye works of the Gobelins tapestry manufactory. Since due to the combination of some neighbouring colours, sometimes it was not possible to achieve the expected result, Chevreul invented a colour wheel (or chromatic diagram), which displayed the principles of the influence of colours on each other. This theory, created by him in 1839, had a huge impact on the development of many art styles, and even fostered the emergence of Divisionism.

You are an expert if:

— you can distinguish a forgery among the works of abstract art judging from the lack of special rhythm, the colour choice and faulty composition.

— in an intellectual conversation about the origins of Abstract art, you can successfully remark that half a century before Kandinsky and Kupka, non-objective paintings were created by a medium Georgiana Houghton. However, she considered higher angelic beings that appeared during her spiritual sessions to be the source of her inspiration. This resembles the case of her Swedish counterpart, Hilma af Klint, who, in a strange coincidence, also began to paint abstract pictures in 1906 as a result of communicating with the spirits.

You are a layman if:

— you are convinced that any child can create a work of art in Abstract style. Indeed, some museum exhibits sometimes cause such thoughts. However, even in such cases, the context of their creation is of great importance, since it provided the paintings with a place in the museum exhibition and the art history.
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Author: Natalia Azarenko
Cover illustration: Wassily Kandinsky. Several Circles, 1926

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