People's artist of the BSSR (1949). A member of the CPSU from 1965. He studied at the Moscow Vhuteine (1922-30) from A. V. Shevchenko. In 1944-48 the Chairman of the Board of the Union of artists of the BSSR. He taught at the Vitebsk art school (1931-40), Minsk art school (1948-53), the Belarusian Polytechnic Institute (1953-63), from 1963 Professor of the Belarusian theatre and art Institute. Among the students: P. V. Maslenykov, M. A. Savitsky and others. A. is the author of numerous portraits, landscapes, thematic paintings, monumental murals. Awarded 2 orders and medals.
Lit.: E. V. Aladova, E. O., Akhremchik, M., 1960.
People's artist of the BSSR (1949). Chairman of the Union of the Byelorussian SSR (1944-1948 gg.). Born in Minsk. He studied at the Moscow higher art-Vhuteine (1922-1930) from A. Shevchenko, A. Arkhipov, K. Istomin. Participant of art exhibitions since 1921 he Taught at the Vitebsk art school (1931-1940 directed.), Minsk art school (1948-1953), the Belarusian Polytechnic Institute (1953-1963.), the Belarusian theatre and art Institute (1963, Professor, head. the Department of painting). During the great Patriotic war took part in the publication of the CC CP(b)b "Razdum fashistskuu gazo". The author of emotionally rich, austere in color portraits ("D. Zhuravlev", 1928; "V. Dove", 1931; "I. pan", 1937; "Z. Vasileva", 1943; "K. Black", 1943; "P. Glebka", 1943; "G. Glebov", 1944; "W. Vladimirsky", 1948; "E. Mirovich", 1952; "M. Osipova", 1959; "the piano" – a portrait of daughter, 1966; "S. Batkowski", 1971, etc.), thematic issues. paintings ("the signing of the Manifesto on the establishment of the BSSR", 1929; "the entry of the red Army in Minsk", 1935; "Belgrad", 1937; "the face of the enemy", 1942;"the Defenders of the Brest fortress", 1957-1958), landscapes ("Sunny day", 1952; "the lilac blossoms", 1958; "Flowering spring", 1963; "Early morning", 1963; "Summer landscape", 1965; "Out of the Studio window", 1971, etc.), monumental murals (two panels for the all-Belarusian exhibition of agriculture and industry, 1930; the decorative frieze of the "Celebration of the Belarusian people" for the Belarusian pavilion of the all-Union agricultural exhibition in Moscow, 1939; ceiling "Friendship of peoples" in Belarusian theatre of the young spectator in Minsk, 1954-1955, etc.). Creativity Akhremchik, based on realistic traditions inherent to citizenship, a deep penetration into the inner light of the contemporary, the quality and solidity of the plastic of the form and integrity of the colors. The name has Akhremchik Republican College of arts in Minsk, which for decades considered to be recognized "forge" Belarusian art.
